Comparison between Western and Indian Note-system
Comparison between Western and Indian Note-system
Roman names
of notes
|
solfi names
|
Indian Names
|
Intervals
|
I
|
DO
|
SA
|
Unison
|
I # /II b
|
di
|
re (komal or Flat)
|
minor IInd (m2)
|
II
|
RE
|
RE
|
Major IInd (M2)
|
II # / III b
|
ri
|
ga
|
minor IIIrd
|
III
|
MI
|
GA
|
Major IIIrd
|
IV
|
FA
|
MA
|
Perfect IVth
|
IV # / Vb
|
fi
|
ma (teevra or sharp )
|
Augmented / diminished IV th
|
V
|
SO
|
PA
|
Perfect Vth
|
V # / VI b
|
si
|
dha
|
minor VI th
|
VI
|
LA
|
DHA
|
Major VI th
|
VI # / VII b
|
li
|
ni
|
minor VII th
|
VII
|
TI
|
NI
|
Major VII th
|
I
|
DO
|
SAA (higher)
|
Octave
|
Comparison of Rhythm and beat Concept
Quarter Notes - Thah Laya
Half Notes - Dugun
Dotted Half - Tigun
Whole Notes - Chaugun
Eight notes - Athgun
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