Seven Modes Interpreted With Indian Ragas/Thaats
We are pretty familiar with the seven basic modes or scales in western music theory, which are considered useful in composing music. These seven modes are: Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian. For my better understanding and grasping of these modes, I have tried to perceive how they resemble some of the Indian ragas. But Before that, I would like to exhibit a chromatic an octave table in both (Indian & Western) the disciplines. Western Notes : C, C#/Db , D D#/Eb , E F F#/Gb G G#/Ab A A#/Bb B C Indian Notes : S r R g G ...